Wellington: Bizet’s ‘Carmen’ audio-described performance
- 50% off full price tickets for patrons with low vision (A & B reserve seats in the stalls)
- One companion ticket also 50% off full price
- Guide dogs are welcome
To book tickets
Please contact Ticketek Premium Products on (04) 384 3842 to book your tickets. A pre-performance sensory tour is being offered, if this is something you would like to do, please register your interest when booking your tickets.
Information about Carmen
Director: Lindy Hume.
Conductor: Francesco Pasqualetti.
Carmen: Nino Surguladze.
Don José: Tom Randle.
Escamillo: James Clayton.
Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following 10 years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the “Habanera” from act 1 and the “Toreador Song” from act 2 are among the best known of all operatic arias.
The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy, Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen’s love to the glamorous toreador Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial.
After the premiere, most reviews were critical, and the French public was generally indifferent. Carmen initially gained its reputation through a series of productions outside France, and was not revived in Paris until 1883; thereafter it rapidly acquired popularity at home and abroad. Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera.
The music of Carmen has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters. After the composer’s death, the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and different views exist as to what versions best express Bizet’s intentions. The opera has been recorded many times since the first acoustical recording in 1908, and the story has been the subject of many screen and stage adaptations.